|The redoubtable Marilyn Estes, who has worked as script supervisor on several films including the infamous Troops, also plied her skills on Foreign Correspondents during our shoot in Los Angeles. Her primary job was to keep a close eye on continuity throughout every shot. Little did anyone know that she was also keeping a daily journal of the production. Here then is a quite droll account of the joys and terrors of shooting an independent film - seen from the inside.|
NOTE: Occasionally you will see the word [CENSORED] in the text. This is the director's doing, simply protecting some of the story's surprises from those who haven't seen the movie yet.